The Golden age of harpsichord

Magistral antología dediferentes autores de Rafael Puyana.

Besard, Couperin, Francisque,

Scarlatti, Freixanet, Bach, Bull,

Byrd, Philips, Peerson, y Albéniz

Rafael Puyana, clave

Grabado en mayo de 1962 en Ballroom Studio A von Fine Recording en Nueva York

Reedición en 180 gr de Speakers Corner

The harpsichord, sometimes disrespectfully referred to as a plucked instrument with keys, left its stamp on the musical language of the Baroque as no other. Whether employed as a continuous bass to accompany delicate chamber music, or heard in heady open-air concerts, or just as a solo instrument, its bright sound, rich in overtones, was highly esteemed by all important composers and musicians of the era. Due to the construction of the instrument it is not possible to play with a differentiated volume of sound, so performers made a virtue of necessity in that they concentrated upon lively phrasing and a well-considered choice of register.
In the present recording Rafael Puyana plays a two-manual Pleyel harpsichord and interprets a wide and varied range of European keyboard works from the 17th and 18th centuries. Along with compositions by Louis Couperin and Domenico Scarlatti’s, both of whom had a great influence on style in their day, this compilation has at its heart works by the English composers John Bull, William Byrd and Peter Philips, which are taken from the most famous collection of all Baroque compositions, the Fitzwilliam Virginal Book. Short notes on the back cover provide useful information on the works’ historical context.